A new input, such as starting a new game or closing your current one and going to a different screen, may get the program to start behaving properly again. If you're only partly locked up, there are steps you can take in the actual Words With Friends 2 app to get things moving again. The risk is minimal - you might lose your current game, and even that is rare - but worth keeping in mind. On the other hand, you may lose your last play or other recent data. On the one hand, it will absolutely force the program to restart, on account of it being pretty tough to run an app without electricity. Note that power cycling is a good news/bad news situation. Some programs are wont to hang around through the restart, and a locked-up Words With Friends is one of them. We don't recommend "Restart" for when Words With Friends isn’t working. More accurately, it won't process the "close" input.Įither select "Shut Down" in Settings or hold the power button down until the phone actually turns off. "Power cycling" is the fancy term for "have you tried turning it off and back on?" Is Words With Friends 2 not working at all? It may not let you simply close it. That means you probably won't lose any data. The good news is, if just closing the program works, it's most likely an interface glitch: the whole program didn't fail, just the part you could see. You'll need to either click out to your menu screen and close it independently or select "close all." If Words With Friends seems to have crashed, that's where to start. Like many phone apps, Words With Friends doesn't feature a dedicated "turn this one program off completely" function. “If public libraries insist on having a censorship policy then users, especially children and their parents or guardians, must be clearly informed that the library’s holdings may not be comprehensive as a result of the policy.”ĭevon County Council and Libraries Unlimited have been contacted for comment."Have you tried closing the program, then opening it again?" may be IT 101, but it works. “Deliberately holding back certain works and making them less accessible might fall short of that standard, especially if the reasons for doing so are of dubious relevance – for instance, because the librarian finds those works subjectively offensive. “Public libraries obviously cannot stock everything, but by law they must provide a ‘comprehensive and efficient’ service. 'Censorship policy'ĭr Byrn Harris, legal counsel for the Free Speech Union, said: “The Free Speech Union deals with a lot of curious decisions regarding free speech – however even we are bemused by the decision to treat the author of Noddy as dangerous and subversive samizdat. Phrases such as “shut up” and “don’t be an idiot” were also reported to have been altered, along with mid-century slang terms. Words including “queer” and “gay” were replaced, as was “brown” in reference to the appearance of a fisherman's sun-tanned skin. In 2010, publishing house Hodder decided to refresh the works and make them “timeless”. Books edited to be 'timeless'īlyton was a prolific writer who composed more than 700 books, including the Famous Five series and Noddy, from the late 1930s until her death in 1968. Other titles to be included in the off-limits area include the autobiography of Tommy Robinson, the founder of the English Defence League, and other texts removed from public view “following customer and/or staff complaints”. The treatment of Blyton’s books has been revealed in Devon County Council documents, which explain that Libraries Unlimited - which runs its library service - habitually refreshes stock with altered versions of classic texts.ĭocuments state that “where popular books have language that is increasingly outdated”, citing the example of Blyton, libraries “continue to purchase new editions where publishers have updated the language within”. The library policy has raised concern among free speech advocates that classic texts are being treated like “contraband” and “under-the-counter” merchandise. Should readers request Blyton’s original editions - which are catalogued online - there is “an informal warning system to remind customers of the language contained within the old edition. Readers who specifically request original versions of titles like the Famous Five are cautioned about their content with a verbal trigger warning. Only recently edited versions of the author’s works, which have had potentially offensive terminology removed, are publicly displayed across Devon’s public libraries. The author’s works are being treated like “contraband” by librarians, with uncensored original versions stashed in an off-limits storage space to prevent the public “stumbling upon” language that is “outdated”. Enid Blyton’s books are beloved by millions, but borrowing original versions of her works from the local library might now be a job better suited to the Famous Five.
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